Intricate rosette and strings of a traditional oud

Suheil
Sedran

Four Decades of the Oud

Suheil Sedran holding an oud

A Life Devoted
to the Oud

Born in Kana, Galilee, Suheil Sedran began studying the oud in the city of Nazareth and through private instruction from an early age. He later graduated with a degree in music, continuing to develop his musical and educational foundation.

After several years of teaching and performing, Suheil toured internationally with fellow musicians, performing across numerous countries and drawing inspiration from a wide range of musical traditions.

Today, Suheil is based in Atlanta, GA, where he has served as the Master Oud Instructor at Alif Institute for more than 30 years, offers private oud lessons, and performs throughout Metro Atlanta and across the United States at venues and events including the Rialto Center for the Arts at Georgia State University, Emory University, the Atlanta Arab Festival, and numerous cultural festivals and celebrations.

In addition to performing and teaching, Suheil specializes in the restoration of string instruments, preserving the craftsmanship and musical traditions that have been passed down through generations.

0+Years of Experience
International Performer
Instructor & Restorer

Music, Teaching & Craft

Live Performances

Available for cultural events, private gatherings, festival stages, and concert series. Performs both solo and alongside ensembles, drawing from traditional Arab, jazz, Sephardic, and Turkish musical traditions.

Oud Instruction

Private oud lessons and group workshops are available for students of all levels, from complete beginners to advanced players. For lesson inquiries and availability, please get in touch through the contact page.

Instrument Restoration

Restores and repairs string instruments with deep care and expertise. Whether your oud needs structural repair or a full restoration, decades of luthier knowledge applied to every instrument.

Book a Performance or Begin Your Journey

Atlanta, Georgia

“The oud is not merely an instrument — it is a conversation between centuries.”

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